“Prising Open the Museum’s Closets,” Queer (National Gallery of Victoria, Melbourne, Australia, 2022)

“Introduction,” Luise Kaish: An American Art Legacy (D. Giles Ltd, 2021)

“Speaking Truth to Power,” Richard Bell: You Can Go Now (Museum of Contemporary Art Australia, Sydney, 2021)

“Feminist Curating as Curatorial Activism: A Roundtable,” On Curating, Fall 2021

“Arahmaiani: Art is a Megaphone…and a Lamp,” Arahmaiani: The Past Has Not Passed (Jakarta: Museum of Modern and Contemporary Art, 2021)

“Misfired Canon (A review of the new MoMA),” ArtNews, Winter 2020, pp. 110-113

D GILES LTD | LONDON
Edited by Maura Reilly

THAMES & HUDSON | LONDON
Preface by Lucy Lippard

“Havens or prisons: Are women-only exhibitions still needed?” Art Basel Magazine (January 25, 2019)

“#TIMESUP,” Julie Heffernan: Hunter Gatherer, PPOW Gallery, New York, 2018

“Cindy Sherman,” Google Arts & Culture (2018)

“Making Trouble: A Tribute to Linda Nochlin,” Artlines: A Publication of the Women’s Caucus for Art, Summer 2018

“Challenging Hetero-centrism and Lesbo-/Homo-phobia: A History of LGBTQ exhibitions in the U.S.,” OnCurating.org, Issue 37, May 2018

“Bad Girls to the Rescue,” ArtNews, March 2018

“Tremble Tremble: The Witches Have Returned: An Interview with Jessie Jones,” Ocula (online magazine)

“Maura Reilly in an Interview – Towards a Just Art World,” Widewalls (UK), January 16, 2018

“What is Curatorial Activism?” ArtNews (online), November 7, 2017

“Notes from the Inside: Building a Center for Feminist Art,” Feminism and Museums: Intervention, Disruption and Change, ed. Jenna Ashton (Edinburgh & Boston: Museums Etc., 2017)

“Living the Revolution: A Dialogue Between Maura Reilly & Lara Perry,” On Curating, Issue 29, May 2016

“A Dialogue with Linda Nochlin, the Maverick She,” Women Artists: The Linda Nochlin Reader (Thames & Hudson, 2015), pp. 8–41

“Patricia Cronin’s Shrine for Girls, A Social Sculpture,” Shrine for Girls (Italy, 2015). Essay for Venice Biennale exhibition

“Curator’s Close-Up: Maura Reilly,” Huffington Post, August 26, 2015

“Now am I light, now do I fly: Lena Liv & Lindy Nsingo Collaborate,” Dancing Makes Me Joyful (Hong Kong: Conceptio, 2015). Essay for Venice Biennale exhibition

Editor, “Special Issue: A Tribute to Linda Nochlin,” The Brooklyn Rail, July/August 2015. With commissioned entries by Deborah Kass, Eleanor Heartney, Sarah Douglas, Patricia Cronin, Peter Kalb, Natalie Frank, Moira Roth, The Guerrilla Girls, Zuka, Agnes Gund, Tom McDonough, Isabelle Hyman, Carey Lovelace, Marni Kessler, Jovana Stokic, Eunice Lipton, Joyce Kozloff, Carol Ockman, Nancy Princenthal, Jongwoo Jeremy Kim, Elizabeth C. Baker

"Personal but Highly Political Highlights from the 2015 Venice Biennale,” Hyperallergic, June 22, 2015

"Linda Nochlin on Feminism Then and Now," ArtNews, Special Issue: Women in the Art World, June 2015

"Taking the Measure of Sexism: Facts, Figures, and Fixes," ArtNews, Special Issue: Women in the Art World, June 2015

“Six Pioneering Feminist Artists Conquer New York,” Hyperallergic, April 30, 2015

“I am important: An Interview with Tony Albert,” Tony Albert (Sydney: Art & Australia, 2015)

"Foreword,” Light Falls Like Bits: The Photography of Trey Ratcliff (San Francisco: ORO, 2015)

“Painting, What It Became,” Carolee Schneemann: Unforgivable (Black Dog Press, 2015)

NOOSA GALLERY l AUSTRALIA

“Gonkar Gyatso: A product of occupied Tibet,” Gonkar Gyatso (Hong Kong: ConceptioArt, 2012)

“Araya Rasdjarmrearnsook at Tyler Rollins Fine Art (Exhibition Review),” Art in America, May 2012

"The Paintings of Carolee Schneemann," Feminist Studies, 37:3 (Fall 2012)

"Vernon Ah Kee: Tall Man", Art Asia Pacific: Contemporary Visual Culture, no.73, 2011

“Un-Australian Visions,” Australia Felix (Brisbane: Octivium Press, 2011)

“Toward a Curatorial Activism,” Cairns Indigenous Art Fair (Brisbane, Arts Queensland, 2011)

“Crossing Over,” Lionel Bawden (San Francisco, CA: Frey Norris Contemporary and Modern, 2011)

"'What you see is what I am': Tracey Emin's Self-Portraiture," Art & Australia (March 2011)

“Writing the Body: The Art of Ghada Amer,” Ghada Amer (New York: Gregory R. Miller, 2010)

“D as in Drips: A Conversation with Ghada Amer,” Ghada Amer, exhibition catalogue (New York: Cheim & Reid, 2010)

“Curating Transnational Feminisms,” Feminist Studies 36:1 (Spring 2010)

“Richard Bell: Imagining Victory,” The 4th Auckland Triennial: Last Ride in a Hot Air Balloon (Auckland, NZ, 2010)

“Pinaree Sanpitak: Quietly Floating,” Pinaree Sanpitak (Tyler Rollins Fine Art, New York, 2010). Essay co-written with Saisha Grayson

“Painting, What It Became,” Carolee Schneemann: Within and Beyond the Premises (New Paltz: State University of New York Press, 2010)